Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
片名：《狂野街头》
别名：《狂野街头》免费在线观看高清完整版
电影类别:恐怖片
连载状态：完结
发行年份：1968
首映地区：美国
导演：Barry,Shear
演员：谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
如何评价《狂野街头》
免费在线观看高清完整版《狂野街头》是一部非常出色的恐怖片,《狂野街头》所展现的各种特点都让人印象深刻,《狂野街头》无论在剧情、演员表现、制作水平、情感表达、还是价值观传递方面,《狂野街头》都表现出了该剧的高度编导水准
